Ibsen’s New Drama — When We Dead Awaken
Twenty years have passed since Henrik Ibsen wrote “A Doll’s House“, thereby almost marking an epoch in the history of drama. During those years his name has gone abroad through the length and breadth of two continents, and has provoked more discussion and criticism than that of any other living man.
He has been upheld as a religious reformer, a social reformer, a Semitic lover of righteousness, and as a great dramatist. He has been rigorously denounced as a meddlesome intruder, a defective artist, an incomprehensible mystic, and, in the eloquent words of a certain English critic, ‘a muck-ferreting dog’. Through the perplexities of such diverse criticism, the great genius of the man is day by day coming out as a hero comes out amid the earthly trials. The dissonant cries are fainter and more distant, the random praises are rising in steadier and more choral chant.