Similarly this technique can bring out as plausible and vigorous a more or less new reality, a reality coming from the imagination of the director and the scriptwriter, say an image of the earth after a thousand years, or the planet Pandora, in which the events of Avatar unfold. If we imagine various documentaries, but also common adventures, to be created with this technique, immediately we understand the benefits. But what about movies as an art with even greater ambitions, say the ambitions of ancient drama? Would this technique benefit, for example, the Citizen Kane? We can still ask, Sophocles or Aeschylus, if they were among us today, would they use this three-dimensional technique for a cinematic version of their works?
Next Part: What does the lack of a third dimension serve?
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