The second group is an endangered species. One reason is that the ambitions of mainstream media that, however fitfully, once sought to expose them to the life of the mind and to the contest of ideas, have themselves shrunk.
We have gone from the heyday of television intellection which boasted shows hosted by, among others, David Susskind and David Frost, men that, whatever their self-absorptions, were nonetheless possessed of an admirable highmindedness, to the pygmy sound-bite rants of Sean Hannity and the inanities of clowns like Stephen Colbert.
Once upon a time, the ideal of seriousness may not have been a common one, but it was acknowledged as one worth striving for. It didn’t have to do what it has to today, that is, fight for respect, legitimate itself before asserting itself.
The class that is allergic to difficulty now feels justified in condemning the other as “elitist” and anti-democratic. The exercise of cultural authority and artistic or literary or aesthetic discrimination is seen as evidence of snobbery, entitlement and privilege lording it over ordinary folks.
A perverse populism increasingly deforms our culture, consigning some works of art to a realm somehow more rarified and less accessible to a broad public. Thus is choice constrained and the tyranny of mass appeal deepened in the name of democracy…
The ideal of serious enjoyment of what isn’t instantly understood is rare in American life. It is under constant siege. It is the object of scorn from both the left and the right.
The pleasures of critical thinking ought not to be seen as belonging to the province of an elite. They are the birthright of every citizen. For such pleasures are at the very heart of literacy, without which democracy itself is dulled. More than ever, we need a defense of the Eros of difficulty.
